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Thursday, 10 June 2021

The Glossary


 


words I picked up and carried back with me.

Bristolian Slang/ Words heard in Bristol/ Work Words

-Winkle- to move the right control for an excavator left-to-right vigourously, making the digger bucket curl and uncurl quickly, chipping or scraping away at rock or compact clay.

-Bruck up- broken or messed up.

-Dervs- Diesel fuel (old technical anacronym for Diesel Engine Road Vehicle.)

-Disco Biscuit- Ecstasy Pill.

-Macky- massive. Bristolian slang.

-Wester/ Proper Wester- Someone 'born and bred' in Knowle West, a notriously rough area of South Bristol

-Meader- someone 'born and bred' in Southmead, a notoriously rough area of North Bristol

-Hedgehogs- tufts of grass (especially stalks from flowers or seed heads) that remain sticking up high after a mower has gone over it. Sometimes called 'Mohawk' as well.

-Grey Fleet- Bristol City Council term for the vehicles owned by employees and used for work for the Council.

-A Gurt lush 'un- a very ('gurt') lovely ('lush' possibly short for 'luscious') thing/ person ('un', English slang for 'one' possibly derived from Norman French.) Though a very Bristolian utterance, these words are also common in the West Country in general, and in my native Gloucestershire I think of 'gurt' spelt as 'gert,' reflecting the different vowel vocalisation. 

Possibly invented by myself (nothing to be proud of)

Spug/ to be Spugged- a negative connotation. to get spugged could be beaten up, paraletic, being stupid or injured. to be a spug, or a 'spug head' is to be an idiot, bonehead, or junkie.

Gumbled- mashed or mixed up. To feel gumbled is to feel disoriented or strongly hungover or tired. For something to look gumbled is to not look right.

Blorf-Norf- phrase used to describe feeling somewhat nauseous

Scrunge- mess of miscellaneous size. While working I was struggling how to describe the dirt and bits & pieces left when you hedge cut and then pick up the clippings.

Flamf- bits & pieces, 'stuff', mess.

Wickering- That strange chatter cats do when they're anticipating pouncing on something.

Domestic (at least to me) English terms

-The Side- The kitchen counter/ kitchen side. I thought this was common until I told my partner something was 'on the side' and she asked 'the side of what'?

-Her Indoors- sexist term to describe ones female partner, more likely wife. Incredible how assumptions about gendered spaces, roles and tasks can be packed into two words.

-Big Light- the main light for a room, usually the ceiling light(s) as opposed to other lighting like desk lamps or low level lighting.

-Nice Bread- of the two bread options, the other being 'normal' or 'regular' bread. 'Nice bread' is not only characterised as the nicer bread, it is saved for special uses only, and generally you always have to slice it yourself.

-The Wooden Hill- the staircase. When I was a child, my Dad would often say "Up the Wooden Hill" meaning 'time for bed.'  

General English/ Unsure of Origin

-Stink Pit- The pit or pile made of shot game birds or mammals after a hunt. These are the animals not destined to be eaten, the surplus necessary of blood sport. First learned this phrase in Mary & Bryan Talbot's Rain.

-Sacrifice Zone- an area given over to activities that ecologically damage or economically devalue the zone i.e. landfill sites, bomb test areas, etc.

-Whale Fall- when the carcass of a whale falls to the floor of the ocean and creates a feast moment for the bottom dwellers of the deep.

-Kayfabe- portrayal of staged events in wrestling as authentic and real.

-Cunch- London slang for 'countryside' as a concept, place etc. (thank you to my friend Samia for telling me about this.)

-Smoko- smoke break, Australian. Heard in this song by the Chats

-Cheesed in- the intense need or craving for cheese. Heard from an old work colleague; use; "Paul pull over, I need to get cheesed in."

-Jolly Bite- the final bite or forkful of a meal, that consists of the best-saved-for-last, perfectly seasoned for a final delicious bite. Thanks to my friend Finn for introducing me to this phrase.

-The Pit- an insatiable appetite the result of being hungover or on one's period.

-The Filth- The Police. Obvious reasons.

-West Briton- derogatory term for an Irish person who is perceived as an anglophile (Ireland) Possibly less used is the opposite 'East Yank,' meaning an Irish person perceived to be an Americanophile.

-The Fifth Column- a group already existing in a nation (e.g immigrants and their descendents) that are perceived as a threat during war for their possible treachery. Usually fanatic, for example the internment of Japanese & Japanese-Americans during WWII.

-Ecumenopolis- Conceptual planet-spanning city. Coined by Constantinos Apostolou Doxiadis

-Eperopolis- Conceptual continent-spanning city. Coined by Constantinos Apostolou Doxiadis

-Transitional Love Object- For children, a totem object that represents home and the comforts of familial/ parental love therein, such as a stuffed toy or a blanket. 'Transitional' because it helps with transitioning from the home to the wider world, such as school.

From Graham Greene's Brighton Rock (Implied Shelta Inlfuence)

Bogies- Police

Milky- weak, soft, untrustworthy

Polony- slightly derogatory slang for 'woman'

Buer- definitely derogatory slang for 'woman' possibly from Shelta/ Irish Cant 'Byor'

Other Languages

-Ladino- Judeo-Spanish language spoken by Spanish Jews who then took this language with them after they were forced out by the Spanish requisition. Became the language of Jewish populations in places such as Thessaloniki, Greece, before the Jewish population was decimated by Nazi occupation. Learned from 'The Apostate' by James Angelos in The Passenger Volume 2: Greece about former Thessoniliki mayor Yiannis Boutaris. First stumbled upon this in Primo Levi's The Truce, where I was becoming confused by Levi describing the Greek Jews from 'Salonika' speaking 'Spanish.'

-Fressen- to wolf down, to eat like an animal, as opposed to Essen, the verb for eating. Learned from Primo Levi’s If This is a Man (German)

-Oubliette- secret dungeon with access only through a trapdoor. (French?)

-Milaya- Darling (Ukrainian.)

-Pal of the Boor- Brother of the Hedge/ Hedgehog (Romany-English)

-Avos- What if (Russian.)

-Lethe- 'oblivion' 'forgetfulness' or 'concealment' one of the five rivers of Hades (Classical Greek)

-Varangian- term given to Vikings by Greeks, Slavs, Arabs and Khazars among others.

-Pietá- refers to paintings or sculptures depicting the Virgin Mary cradling the dead body of Jesus (Italian)

-Skræling- word used by Norse settlers of Greenland and the Labrador coast for the Inuit natives- survives in Icelandic word 'Skrælingi' meaning 'barbarian.' (Greenlandic Norse.)

-Kavdlunait- word used to refer to foreigners and Europeans in the age of the Norse settlement of Greenland. (Inuit.)

-'Dulce et Decorum est Pro Patria Mori'- phrase included in Horace's Odes, translating to 'It is sweet and fitting to die for the homeland.' (Latin.)

-Subla- 'guy' or 'man,' informal. Outside of traveller community has stronger connotations of 'chav,' 'bogan' etc. (Irish/ Irish Traveller 'Shelta')

-Gowl- slang for 'pussy' Gaelic in origin. Often used in Limerick. (Irish)

-Guerilla- 'Little War', a fighting force acting on it's independent causes. (Spanish)

-Tre(-)- prefix denoting a farm, estate, or perhaps hamlet. (Cornish)

-Mamootie- a kind of South Asian draw-hoe

-Tetragrammaton- the four letters in hebrew used to describe the forbidden name of God- YHWH or JHVH articulated as Yahweh or Jehovah. Learned about this in Jorge Luis Borges' 'Death and the Compass.'

-Gweilo- Cantonese slur for a Westerner. (learnt from The Good Asian- by Pornsak Pichetshote & Alexandre Tefengki)

-Haole- Hawaiian slang for non-native. (learnt from The Good Asian- by Pornsak Pichetshote & Alexandre Tefengki) 

-Carabineros- Carabinier, in its literal form a soldier with a carbine rifle, but in Chile it is the name of the national police force- the Carabineros de Chile. (Learnt from Gabriel Garcia Marquez's Clandestine in Chile) (Spanish)

-Poblaciones- In Chile, slums or shanty towns. Possibly not in use any more. (Learnt from Gabriel Garcia Marquez's Clandestine in Chile) (Spanish)

-Mordros- The sound of the sea (Cornish) (learnt from 'The Visions of Kurt Jackson' by Mark Cocker, GRANTA 102, 2008)

-Cromlech- ancient Brythonic or Celtic stone tombs (Welsh) (learnt from 'Land's End' by Phillip Marsden, GRANTA 102, 2008)

Sunday, 27 December 2020

Square Eyes: all the films I've watched since December 2020

 


December 2020
-Crazy Rich Asians Dir. John M. Chu (2018)
-Free State of Jones Dir. Gary Ross (2016)
January 2021
-Time of the Gypsies (Original Serbian Dom Za Vešanje) Dir. Emir Kusturica (1988)
-Babyteeth Dir. Shannon Murphy (2019)
-Uncle Frank Dir. Alan Ball ((2020)
-Knives Out Dir. Rian Johnson (2019)
-Catch Me If You Can Dir. Stephen Spielberg (2002)
February 2021 
-Paprika Dir. Satoshi Kon (2006)
-The Peanut Butter Falcon Dir. Tyler Nilson (2019)
-Princess Mononoke Dir. Hayoa Miyazaki (1997) 
-mid90s Dir. Jonah Hill (2018)
March 2021
-Day of the Dead Dir. George A. Romero (1985)
-The Platform (Original Spanish El Hoyo) Dir. Galder Gaztelu-Urrutia (2019)
-Trainspotting Dir. Danny Boyle (1996) (re-watch)
-T2 Trainspotting Dir. Danny Boyle (2017) (re-watch)
-Seaspiracy Dir. Ali Tabrizi (2021)
April 2021
-Come and See (Original Russian Idi I Smotri) Dir. Elem Klimov (1985)
June 2021
-The Martian Dir. Ridley Scott (2015)
-The Father Dir. Florian Zeller (2020) [in cinema]
-Dead Man's Shoes Dir. Shane Meadows (2004)
July 2021
-Minari Dir. Isaac Lee Chung (2020)
-Palm Springs Dir. Max Barbakow (2020)
-Late Night Dir. Nisha Ganatra (2019)
September 2021
-Fantastic Fungi Dir. Louie Schwartzberg (2019)
-Savage Dir. Sam Kelly (2019)
October 2021
-I Care a Lot Dir. J Blakeson (2020)
-Dune Dir. Denis Villeneuve (2021) [in cinema]
November 2021
-Free Guy Dir. Sean Levy (2021)
December 2021
-Ice Age Dir. Chris Wedge (2002) (re-watch)
-Robocop Dir. José Padilha (2014)
April 2022
-The Lighthouse Dir. Robert Eggers (2019)
-Tokyo Godfathers Dir. Satoshi Kon (2003)
-Blade Runner 2049 Dir. Denis Villeneuve (2017) (re-watch)
May 2022
-The Truffle Hunters Dir. Michael Dweck & Gregory Kershaw (2020)
-The VVitch Dir. Robert Eggers (2015)
-1917 Dir. Sam Mendes (2019)
-Old Henry Dir. Potsy Ponciroli (2021)
-The Irishman Dir. Martin Scorsese (2019)
June 2022
-'71 Dir. Yann Demange (2014)
-Cargo Dir. Yolanda Ramke & Ben Howling (2017)
-The House Dir. Emma de Swaef, Marc James Roels, Niki Lindroth von Bahr, Paloma Baeza (2022)
-The Last Wave Dir. Peter Weir (1977)
-Wildllife Dir. Paul Dano (2018)
July 2022
-Prince of Muck Dir. Cindy Jansen (2021)
-Elysium Dir. Neill Blomkamp (2013) [rewatch]
September 2022
-Everything Everywhere All at Once Dir. Daniels (Daniel Kwan & Daniel Scheinert (2022)
November 2022
-Collateral Dir. Michael Mann (2004)
-Triangle of Sadness Dir. Ruben Östlund (2022)
December 2022
-All Quiet on the Western Front Dir. Edward Berger (2022)
-The Equalizer 2 Dir. Antoine Fuqua (2018)
-The Banshees of Inisherin Dir. Martin McDonagh (2022) [in cinema]

January 2023
-While you Live, Shine Dir. Paul Duane (2018)
-Athena Dir. Romain Gavras (2022)
February 2023
-The Departed Dir. Martin Scorsese (2006)
-Vesper Dir. Kristina Buozyte & Bruno Samper (2022)
March 2023
-The Unbearable Weight of Massive Talent Dir. Tom Gormican (2022)
-He Never Died Dir. Jason Krawczyk (2015)
April 2023
-A Quiet Place II Dir. John Krasinski (2020)
-Nobody Dir. Ilya Naishuller
May 2023
-Linoleum Dir. Colin West (2022)
-Stalker Dir. Andrei Tarkovsky (1979)
-Black Crab Dir. Adam Berg (2022)
-Baby Driver Dir. Edgar Wright (2017)
June 2023
-The Deer Hunter Dir. Michael Cimino (1978)
July 2023
-Barbie Dir. Greta Gerwig (2023) [in cinema]
-They Cloned Tyrone Dir. Juel Taylor (2023)
August 2023
-I'm Thinking of Ending Things Dir. Charlie Kaufman (2020)
-My Neighbour Totoro Dir. Hayao Miyaki (1988) [rewatch]
-No Country for Old Men Dir Ethan & Joel Coen (2007) [rewatch]
October 2023
-How to Blow up an Oil Pipeline Dir. Daniel Goldhaber (2022)
-Children of Men Dir. Alfonso Cuarón (2006) [rewatch]
-Hell or High Water Dir. David Mackenzie (2016)
November 2023 
-Belfast Dir. Kenneth Branagh (2021)
December 2023 
-Dawn of the Dead Dir. Zach Snyder (2004) [rewatch]
-Leave the World Behind Dir. Sam Esmail (2023)
-The Killer Dir. David Fincher (2023)
-May December Dir. Todd Haynes (2023)
-Krampus Dir. Michael Dougherty (2015)
-Glass Onion: A Knives Out Mystery Dir. Rian Johnson (2022)
-Saltburn Dir. Emerald Fennell (2023)
January 2024
-Dream Scenario Dir. Kristoffer Borgli (2023)
-Sound of Metal Dir. Darius Marder (2019)
February 2024
-Blade Runner 2049 Dir. Denis Villeneuve (2017) [re-watch]
-The Green Knight Dir. David Lowery (2021)
-Blade Runner 2049 Dir. Denis Villeneuve (2017) [re-watch] (i know...)
-Pom Poko Dir. Isao Takahata (1994) [re-watch]
March 2024
-Dune: Part Two Dir. Denis Villeneuve (2024) [in cinema]
-Green Book Dir. Peter Farrelly (2018)
-Princess Mononoke Dir. Hayoa Miyazaki (1997) [re-watch]
-Marriage Story Dir. Noah Baumbach (2019)
April 2024 
-Fury Dir. David Ayer (2014)
-Memory Dir. Michel Franco (2023)
-Spirited Away Dir. Hayao Miyazaki (2001) [re-watch]
-Tracks Dir. John Curran (2013)
-Dark Waters Dir. Todd Haynes (2019)
-Men Dir. Alex Garland (2022)
-Wicked Little Letters Dir. Thea Sharrock (2023)
May 2024
-Late Night with the Devil Dir. Cameron & Colin Cairnes (2023)
-The Florida Project Dir. Sean Baker (2017)
-The Drop Dir. Michaël R. Roskam (2014)
June 2024
-The Book of Eli Dir. Albert & Allen Hughes (2010)
-The Equalizer Dir. Antoine Fuqua (2014)
-The End We Start From Dir. Mahalia Belo (2023)
-Annihilation Dir. Alex Garland (2018)
July 2024
-Gaia Dir. Jacob Bouwer (2021)
-The Menu Dir. Mark Mylod (2022)
-On the Silver Globe Dir. Andrzej Żuławski (1988)
August 2024
-A History of Violence Dir. David Cronenberg (2005)
-3:10 to Yuma Dir. James Mangold (2007)
-Chef Dir. Jon Favreau (2014)
-Porco Rosso Dir. Hayao Miyazaki (1992)
-Concrete Utopia Dir. Um Tae-Hwa (2023)
-Vivarium Dir. Lorcan Finnegan (2019)
Sept 2024
-Defiance Dir. Edward Zwick (2008)
Oct 2024 
-Civil War Dir. Ale Garland (2024)
-Pig Dir. Michael Sarnoski (2021)
-A Man Called Otto Dir. Marc Forster (2022)
-Dreams Dir. Akira Kurosawa (1990)
-A Field in England Dir. Ben Wheatley (2013)
Nov 2024
-Clean Dir. Paul Solet (2021)
-Twelve Monkeys Dir. Terry Gilliam (1995) [re-watch]
-My Old Ass Dir. Megan Park (2024)
-Fremont Dir. Babak Jalali (2023)
-JoJo Rabbit Dir. Taika Waititi (2019)
-Death at a Funeral Dir. Frank Oz (2007)
Dec 2024
-The Northman Dir. Robert Eggers (2022)
-The Substance Dir. Coralie Fargeat (2024)

Jan 2025
-A Real Pain Dir. Jesse Eisenberg (2025)
-Grand Theft Hamlet Dir. Sam Crane & Pinny Grylls (2024) [in cinema]
-Eastern Promises Dir. David Cronenberg (2007)
-Flow Dir. Gints Zibalodis (2024)
-No Country for Old Men Dir Ethan & Joel Coen (2007) [rewatch]
Feb 2025 
-Hacksaw Ridge Dir. Mel Gibson (2016)
-Godland Dir. Hlynur Pálmason (2022)
-Nomadland Dir. Chloé Zhao (2020)
Mar 2025
-Bone Tomahawk Dir. S Craig Zahler (2015)
-Utama Dir. Alejandro Loayza Grisi (2022)
April 2025
-The Artifice Girl Dir. Franklin Ritch (2022)
-Black Bag Dir. Steven Soderbergh (2025)
-Companion Dir. Drew Hancock (2025)
-I'm Your Man Dir. Maria Schrader (2021)
May 2025
-Pan's Labyrinth Dir. Guillermo Del Toro (2006) [rewatch]
-The Empty Man Dir. David Prior (2020)
-The Nice Guys Dir. Shane Black (2016)
June 2025 
-Fire Will Come Dir. Oliver Laxe (2019)
-28 Years Later Dir. Danny Boyle (2025) [in cinema]
August 2025
-Us Dir. Jordan Peele (2019)
September 2025
-The Gentlemen Dir. Guy Ritchie (2019)
October 2025
-Hardcore Henry Dir. Ilya Naishuller (2015)
November 2025
-Bob Trevino Likes It Dir. Tracie Laymon (2025)
-Code 3 Dir. Christopher Leone (2025)
-Twinless Dir. James Sweeney (2025)
-Weapons Dir. Zach Cregger (2025)
December 2025
-Bugonia Dir. Yorgos Lanthimos (2025)
-The Holdovers Dir. Alexander Payne (2025)
-The Muppets Christmas Carol Dir. Brian Henson (1992)
-Unforgiven Dir. Clint Eastwood (1992)

January 2026
-Upgrade Dir. Leigh Whannell (2018)
-28 Days Later Dir. Danny Boyle (2002)
-28 Weeks Later Dir. Juan Carlos Fresnadillo (2007)
-28 Years Later Dir. Danny Boyle (2025)
-Sunshine Dir. Danny Boyle (2007)
-Alien: Romulus Dir. Fede Alvarez (2024)
February 2026
-Roofman Dir. Derek Cianfrance (2025)
-The Ballad of Wallis Island Dir. James Griffiths (2025)
-Vernon, Florida Dir. Errol Morris (1981)
March 2026
-Good Luck, Have Fun, Don't Die Dir. Gore Verbinski (2025)
May 2026
-Sightseers Dir. Ben Wheatley (2012)
June 2026
-Listers Dir. Owen Reiser (2025)
July 2026
-Beau is Afraid Dir. Ari Aster (2023)
August 2026
-Which Way Home? Dir. Rebecca Cammisa (2009)

Sunday, 13 September 2020

Half Cut



If God planted the grass

then the Devil rolled out the lawnmower.





Poems written in a GMB diary while working in grounds maintenance.





Dogging Site.

 
Litter picking Lockleaze sports fields
dog shit
nos cannisters
smashed bud bottles
used johnnies
a dido box- 'upshot'- 'thrusting pleasures'
balloons
Dar finds something- "mind out Tom
it's a dead mouse."
It's a used tampon.
I'm glad it's nothing dead.
Pick up your litter.

Green Moment
There is some beauty in
the sheer straight split
between the clean level cut line
that the mower has eaten and
blasted out
and the rough, thick growth waiting

 
all waiting in jade and emerald and 
dew drop and tree frog
and granny smith and wine bottle
in the early morning sun.

Typical
Daily I am exposed
to ignorant idiocies;
flagrant racism barely dampened
by knowledge of its distaste, 
consant eye-gagging of women,
innocent women, busy women,
human women- object women,
politics shrugged off
yet the left despised
and fascism unquestioned.
knee-jerk justice thirsts,
no tolerance; you can
trace the tail that informed
them- like UV lit rodent piss.
Still, I've got to talk to somebody all day.

 
A Meal
If you cut grass
and leave the bleeding mush
on the lawn
the grass grows thicker,
greener.
Plants are beautiful cannibals.

Gone
Small yellow flowers on stilts
creeping buttercup in the lawn
and poppy flame on the concrete edge
bunches of daisy heads
confident first reddish leaves of maples.
all the dock and nettles that ladybirds will hunt on
all the fronds of yarrow with eggshell flowers
sharp wall rocket and fat milk thistle
"scalp it"
yes boss.





COVID Days 
we're not willing to die for our work
we're just required to turn up for the possibility
we weren't put here to do this shit
you have no more purpose than the birds in the sky
it only ends
when the world ends
whether that is your last blink
or the sun's consuming hunger.
basically:
I'd rather not die from a disease
contracted while half-awake
on a work week I clench my eyes shut for
and wish past.

Dogsbody
The Dogsbody                                      
all grunts and shifts
Jack of all trades, master of none
Jack o' nothin' master a' nothin'
bark palms and blasted cheeks
musty, sun-bleached cap.
Body of dogs.

 



            



















Saturday, 21 March 2020

Piercing the Membrane: Mark Jenkin's BAIT (2019)

**MAY CONTAIN SOME SPOILERS**

BAIT by Mark Jenkin

"The 'Other Britain'- from urban and northern England to Scotland, Wales, Cornwall and Northern Ireland."
- Payton, Phillip. ‘Cornwall in Context: the New Cornish Historiography.’ 
Cornish Studies. 5 (1997) pp.9-20 (p.9)

Mark Jenkin's amazing film BAIT, which Mark Kermode declared not only his film of the year but his film of the decade, has often been labelled as an art film, mainly I suppose for seemingly superfluous takes lingering on faces and scenes that at first make no sense, and the choice of production, using an old hand-wound bolex camera. Not only is the film in stark black and white, rich with crackles of light flitting across the old-fashioned film, but light saturates scenes; a shot of a police car with its lights on creates deep dark silhouettes surrounding the authoritative vehicle as it throws light crawling out. The drawn out shots of faces show the stark crags and colourations of age; a bristly fisherman's face with a worn cap is rife with dark lines, while a pale, young girl's face is radiant. I will talk a lot here about class and wealth division which are evident not just in communities but across the nation, with wealth being harboured in some areas and drawn out of others, such as Cornwall. If you have watched the film and have not got a feel of the division that stalks the lives of the characters then I am not sure we have seen the same film.


 Edward Rowe's Martin Ward works on his tidal nets; BAIT by Mark Jenkin 2019

The Divide
Although at times obvious in this otherwise misty world, stark comparisons are drawn between the wealthy second-home owners ("Tourists" as Martin calls an increasingly irate Tim) and the working class, struggling natives. Through consecutive shots near the start we are shown the difference in footwear (fancy shoes; rigger boots) hands in work (typing at a laptop inside; tying knots in nets) and vehicles (pristine large land rover; beaten-up and self-fixed flat bed truck.) After setting up the viewer to notice these comparisons, we can draw them out easily throughout the film. The use of fishing gear; nets and ropes are a constant presence in Martin, Steven and Neil's life, being the means with which they work and their ancestors have worked. The Leigh family, when they modify the Ward's old house, "Skipper's Cottage", not only remove the pantry, an old-fashioned and dank working-class room of a functional purpose, but decorate the living space with a porthole and old fishing gear, which in this decorative form is so strange to Martin he describes it to Steven as looking like a "sex dungeon".  In the pub we see the divide encapsulated who gets to play pool in the pub- Wenna, the local girl who works in the pub says it is 'winner stays on', a rule founded in using skill, accepting defeat, and letting all have a chance, while Hugo says that's false, that they 'had money down', and thus are entitled to play.

The Ward's old family home, now the Leigh's second home. BAIT by Mark Jenkin 2019

Justice
The construction and serving of justice is another element of the divide; the legal system is shown to be in servitude to the ruling class. While the Leigh parents distance themselves from the parking dispute by complaining to the authorities, pitting Martin instead against the 'clamping company' and they don't think twice about calling the police over a spat when teenage Wenna headbutts Tim, leaving her with a night at Camborne police station and with the financial burden of getting home. Martin instead relies on a more individual, tactful justice. Hugo damages one of his lobster pots and steals Martin's catch. Instead of calling the police or even Hugo's parents, Martin makes Hugo repair the lobster cage in front of everyone in the pub, forcing Hugo to atone for his crime there and then. I found this scene quite interesting, as once the tension has blown over we realise that Hugo to some extent enjoys fixing the lobster pot, as he fairly calmly attends to the work; from his introduction we see that Hugo wants to be involved in the fisherman's work (or at least 'play' at it) and this is the closest he comes to it. Grounded rules that are arbitrarily set don't necessarily make sense in a place where people are struggling to make ends meet on the sea; the Leigh's stick to the rules, getting Martin's truck clamped where it is parked by the harbourside allowing him to work, while Martin, who is trying to make money to save up for a boat and has a fairly sparse house, makes sure to gift his neighbours a fairly generous portion of his daily catch, adhering perhaps to an older code of the village.

Martin Ward and Wenna Kowalski in the Pub (Edward Rowe and Chloe Endean) BAIT by Mark Jenkin 2019

The Bubble
The plot and how it is shown to us, with later scenes appearing right from the start, creates a wheel of events, that, though a linear story, have been shown to us circularly, creating a trapped effect. Even a few of the jokes and events work in circles; Martin teases Hugo as he goes to fish with a harpoon gun to "leave some fish for the rest of us," but then later Hugo robs Martin of his lobster catch. Martin is told by a reveller embarking on Steven's boat to "chill out", a line Martin repeats to the man later as he vomits off the harbourside. The psychogeography at play in the film also creates the sense of an isolated bubble of a setting, enhanced by the small cast and smaller cluster of filming locations. This bubble, while a place of struggle and problems, a sense enhanced by the look of the film and the ominous soundtrack, and also the fact that all speech had to be overdubbed, lending a sort of clear-cut disjointedness to the lines, is evidently also a paradise in some ways, inviting tourists to pierce the bubble. This sense isn't unique to the film, as Cornwall, though considered a county, is one of the six Celtic nations (with Wales, Ireland, Scotland, the Isle of Man and Brittany) a small, fairly isolated region that, though with its unique culture and nationhood, is overlooked by many in England (and even all of Britain) as simply part of England; a funny toe jutting into the Atlantic.

Watching BAIT and then writing this during the COVID-19 pandemic there arises a new level to the second-home Anglo-Cornish tensions seen in BAIT. Locals in Cornwall, with a sparse and elderly population and a healthcare infrastructure that struggles with rural outreach, amount of hospitals and funding, watch as wealthy Britons arrive at their second homes to 'wait it out', potentially bringing the virus further and further into contact with the rural country from places where the virus has already hit such as London.

The Beginning, and End, shot of Edward Rowe's Martin Ward walking to the harbourside. BAIT by Mark Jenkin 2019